Rug, Wall Hanging, S, Wool, Aboriginal Design, Chainstitch, Australia, Fair Trade, Betsy Lewis, Warlukurlangu, Living Room, store Home, Lounge

These beautiful woollen embroideries work equally well as floor rugs and wall hangings.
Chain-stitched kilims are a traditional rug making technique from Kashmir. As people sat on the floor they were both homewares and decoration.
The designs are by Australian Aboriginal artists, they are then chain-stitched in wool onto a canvas backing each cushion cover is an interpretation of an original artwork, usually a painting.
Front of each rug is wool embroidered onto a cotton canvas and back is cotton canvas with a non-slip surface.
Each rug has a flap on one of the shorter sides for hanging portrait style, simply slide a piece of dowel or curtain rod in and hang. As the artworks are painting on the ground most of the images do not have a set orientation so can also be hung landscape if preferred.
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These are surprisingly hard-wearing and I use them as both rugs and as and beautifully textured affordable works of art.
Limited Edition: Each rug is individually numbered and shipped with an individual document of Authenticity that gives provenance. No more than 100 rugs will ever be made in this design and size.
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Artist: Betsy Napangardi Lewis (dec) of Warlukurlangu Artists, Yuendumu NT
Title: MinaMina (Women's Ancestral Creation Story)
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SIZE:
Rectangular: 61 cm (24 inches) x 91.5 cm (36 inches)
Composition: wool (front) and cotton (back)
Color: the color is accurate but even more vibrant and nuanced in real life. This is a gorgeous rug (in the true sense of the word).
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CARE INSTRUCTIONS:
Do not put place/use in direct sunlight or colors may fade.
Dry clean. or careful hand-wash in warm water using a wool detergent. Can be ironed on a wool steam setting.
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About the design: Mina Mina Jukurrpa (Women's Ancestral Creation Story)
About the design:
The country associated with this painting is Mina Mina, a place far west of Yuendumu, significant to Napangardi and Napanangka women who are the custodians of the Jukurrpa that created the area. The Dreaming describes the journey of a group of women of all ages who travelled east gathering food, collecting Ngalyipi (Tinospora smilacina or snake vine) and performing ceremonies as they travelled. The women began their journey at Mina Mina where Karlangu (digging sticks) emerged from the ground. Taking these implements the women travelled east creating Janyinki and other sites. Their journey took them eventually beyond Warlpiri country. In contemporary Warlpiri paintings traditional iconography is used to represent store the Jukurrpa, associated sites and other elements. The primary motif used in paintings of the Jukurrpa are the Karlangu digging sticks which rose up out of the ground at Mina Mina. The women used them to collect bush tucker on their travels. This painting shows the motion of the digging sticks as the women move them to dig.
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About the BWA chain-stitch kilim products
These beautiful, unique textiles are a cross-cultural collaboration combining Aboriginal designs and traditional Kashmiri rug-making techniques. Chain stitched, using hand dyed wool, each is a completely handmade piece. A more empowering way to work, this brings many direct benefits to the artists' and their community. Control and ownership of intellectual property are also maintained. Purchase of these products guarantees a direct return to the Aboriginal artist and their community.
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About my connection with Better World Arts
I met founder of BWA in 2004 whilst doing a consultancy in the APY Lands preparing marketing plans for five art centres for Ananguku Arts. I was gobsmacked by this terrific fair trade project that Kaltjiti Arts was then doing with Caroline Wilson. As a textile nut, the artisan skills and use of wool appealed to me and the rendering of Indigenous designs in rugs and cushion covers is so lovely. I later encouraged them to work with other art centres and introduced them to Warlukurlangu Artists and Injalak Arts. Flick (founder of Flying Fox Fabrics)
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BWA
Better World Arts has been operating for over two decades. Our role models were Oxfam, Fred Hollows (the Fred Hollows Foundation) and Anita Roddick (The Body Shop).
We work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). More recently we have started working with China, making bone china and silk ties.
We work with Australian AJ boriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.